In the meantime, you may submit the memory you want to forget from ☞ here.
Lethe is the river of forgetfulness located in the underworld of Hades in the Greek mythology. The mortals who are deceased, descend into the underworld and may drink the water of Lethe, and they forget the memories of their earthly lives. And those who drunk the water of Lethe and forgot can be reincarnated. One hermeneutic approach to the myth is that forgetting may lead to the state where one is ready to move onto the next stage of life [1]. [1] Myth and Reality, Mircea Eliade, 1963. Harper & Row. p121.
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Digital media can identically duplicate a memory, so unlike analogue media that degrades throughout time or processes of duplication, digital memory can be kept indefinitely. Furthermore, once data is online, and the others start making copies and disseminating, the memory proliferates and may live forever without the original author being able to control or take back to make the memory forgotten [1]. This situation could be problematic as what we do and say online (social media sites, searching sites and smartphone apps) can be all recorded and exposed on the web, in turn, the memory could come back and haunt us when we no longer remember what we did and said [2]. As Mayer-Schonberger said, we need more technologies that are programmed to forget.
< Reference sources > [1] Delete: The Virtue of Forgetting in the Digital Age. Mayer-Schonberger, Viktor, 2011. Princeton University Press. [2] 25 Ideas for 2010: Digital Forgetting, 2009, Clive Thompson, on the Wired website.
Some digital tools we have/had are designed to forget: Snapchat The original idea of Snapchat was to produce a selfie app as a tool of communication, where the multi-media contents exchanged between users were meant to be ephemeral and self-erasing. Still, people can take screenshots of the contents to preserve. [1] Should the app improve the processes of forgetting by implementing a function that prevents users from taking screenshots? Drop.io This file sharing service let the users set expiration dates for the files uploaded, and deletion of the file can be executed after a certain period or after a certain number of people have viewed the file. Despite the innovative approach, this site no longer exists today, because in 2010 Facebook bought the company that provided the service.
Go Rando by Benjamin Grosser This tool lets the Facebook algorithm become oblivious of how a user feels about Facebook posts in actuality. http://bengrosser.com/projects/go-rando/
TigerText This app allows users to send text messages with an arbitrarily set timing of expiration between 1 minute and 30 days. As it expires, the message will be erased on the server, also on the devices of both the sender and recipient. At the moment, the app is primarily used for clinical communication purposes https://en.wikipedia.org/wiki/TigerText
Vanish This technology has been developed by researchers at the University of Washington, and it is made to "self-destruct" a data after a specified period. Vanish encrypts the data specified and generates an encryption key. However this key "erodes" or "rusts" as time passes, and after a certain period, the data will become unreadable. In theory, the encrypted files made with Vanish can be implemented on various platforms: not only emails but any data stored in the cloud storage such as photographs, videos texts, and data on Facebook, Twitter, Google and blog platforms. This encryption method can operate independently of the platforms, so you do not have to wait for that the companies like Google and Facebook delete the file from the server. [1] The time-ticking inaccessibility as a method of digital forgetting.
[1] The Web Means the End of Forgetting, 2010, Jeffrey Rosen. http://www.nytimes.com/2010/07/25/magazine/25privacy-t2.html?pagewanted=all&_r=0
Is There Beauty in Forgetting? is a three-parted video art piece produced in 2015 by Shinji Toya. The work speculates about the aesthetic meanings of forgetting in the digital age. The part 1 and 3 of the video cite Mayer-Schonberger's statement and observations. This author, who wrote about the subject of forgetting in the digital age extensively, illustrated how our online footprints could be tracked and recorded to identify who we are and what we do in our lives. The video also envisaged that if we would have algorithms that forget our personal data, the state of the information may become like a flowing a river (e.g. automated processes of both remembering and forgetting - like a flow of river that goes without our being conscious of it all the time). Link
What can be bad about having an extremely good memory that is, or is analogical to the digital immortal memory? Mayer-Schonberger's work suggests that too much memory can hold people back and let them fixate on the past, its details. The excess of memory can prevent people from generalising (abstracting knowledge) from experiences and moving on from the past to act in time in present moments. [1] Cognitive experts claim that forgetting has a vital role for humans to make sense of the world [2]. Deprivation of it could limit or bias one's understanding of the world.
[1] Delete: The Virtue of Forgetting in the Digital Age. Mayer-Schnberger, Viktor, 2011. Princeton University Press. [2] Why We Need to Let Our Online Memories Go. Mayer-Schnberger, Viktor, 2012. The Washington Post website
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Funes the Memorious: a fictional character who lost the ability to forget In Jorge Luis Borges's short story Funes the Memorious, Funes after this young man's riding accident, acquires the ability to remember everything he experiences, instead loses the capacity to forget. He remembers details such as the forms of clouds at a particular moment, streaks on a book and the shapes of foam made by a moving oar at a precise moment. And Funes has become able to reconstruct an entire day by recalling and relive it. And this recollection can take a whole day. [1] [2] After an astonishing amount of reading, he has memorised classic literature works in details, but he fails to see beyond the particulars. His memories related to one kind of things are so diverse in details and sensuous traits that he is unable to believe the general idea (categorisation) of the things. What seems to be suggested here, as Mayer-Shonberger remarks, is that the absence of forgetting could make a human unable to generalise, abstract from experiences. [1] [2]
[1] Funes the Memorious, Jorge Luise Borges, 1964. [2] Delete: The Virtue of Forgetting in the Digital Age. Viktor Mayer-Schnberger, 2011. Princeton University Press.
Hyperthymesia - tremendous autobiographical memory: the case of AJ AJ, also known as Jill Price is a woman living in America who has an ability to remember the unusually vast amount of autobiographical information. This condition is called Hyperthymesia, and with this condition - like Funes in the Borges' story, people are given the ability to recall almost every day of their lives in tremendous details and vividness. [1][2] It appears for AJ that the total recall often holds her back. The detail of the recall is extraordinary and "agonizing," and her recollections are "uncontrollable and automatic." She spends a considerable amount of time by being immersed in her past, to relive in them, like playing back an extraordinarily long film. These acts of recalling often prevent AJ from moving on from the past, making decisions and acting in time. [2] It looks like too much memory can affect people's decisions and actions. In this case, forgetting seems to be given a benefit of unshackling us from the prison of memory, rather than it is an utter disadvantage. [2] Could the digital memory have a similar effect to the hyperthymesia of AJ? If digital media operates similarly, and never forgets the mistakes and embarrassment we had in our life, and it keeps reminding of the past, could it hold us back? --- Some words from AJ --- [2] "Most people have called what I have a gift, but I call it a burden" "I [...] remember bad - and every bad choice. And I really don't give myself a break." "[R]emembering everything is both maddening and lonely" --- Interviews of AJ, on ABC programmes ---
[1] Hyperthymesia - People with potential (website) http://www.peoplewithpotential.org/hyperthymesia [2] Delete: The Virtue of Forgetting in the Digital Age. Viktor Mayer-Schnberger, 2011. Princeton University Press.
The philosopher Umberto Eco thinks the technique of forgetting is a theoretical impossibility, as the idea of consciously and deliberately achieving a loss of memory delivers an irresolvable contradiction because forgetting is an unconscious act. Could it be the case in practice or not? [1] An Ars Oblivionalis? Forget It! , Umberto Eco & Marilyn Migiel, 1988. Modern Language Association
WikiHow tells you how to forget: How to Purposefully Forget Things: 9 Steps http://www.wikihow.com/Purposefully-Forget-Things [How to Forget a Bad Memory: 15 Steps] http://www.wikihow.com/Forget-a-Bad-Memory Could the methods introduced in the articles work?
There is a Youtube video that is supposed to let you forget something through hypnosis. https://www.youtube.com/watch?v=PKfqb_8y4pU If this would work, would it mean Umberto Eco was wrong in a way? *Please understand the artist neither guarantees nor affirms the effect of the hypnosis; if you try to engage with the hypnosis, it will be your discretion and responsibility to do so.
Wired says there is a forgetting pill now. The forgetting pill: How a new drug can erase your worst memories http://www.wired.co.uk/article/the-forgetting-pill It sounds like something from a fictional world, but will it work?
This YouTube video explores the question of how to forget things deliberately, by going through scientific studies. The speaker says “right now, even the most advanced forgetting techniques can’t completely eliminate a memory”, but “even if we can reliably make ourselves forget, who gets to decide what memories will be remembered?”.
This article shows how to disappear from the web. How to Disappear from the Internet https://brightside.me/inspiration-tips-and-tricks/how-to-make-the-internet-forget-about-you-completely-220555/ If one disappears from the web, does it mean this person is forgotten in the digital society successfully? And what is the benefit of this deletionist approach?
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Fredrich Nietzsche brought to our attention that too much memory or historical knowledge brings with it the danger of precluding actions. The thought of consequences or feelings of resentment invoked by past memories or historical virtues can render humans inactive, even paralysed. [1] Furthermore, for the philosopher forgetfulness is essential to life; one can live without memory and be happy, but it is impossible to live without forgetting. The forgetfulness cures or prevents harms that can be caused by memories and history, because forgetting gives a human power to develop one’s own way of thinking and living (i.e. to transform), by breaking away from the past and history partly. Yet those who cannot utilise this power well can suffer from the memory of a painful event and become unable to move on; this can be harmful like a scratch gradually turning into a large wound or sickness. [2] Although Nietzsche does not encourage us to be completely oblivious, like becoming a cow exemplified by the philosopher; the cow remembers nothing and they live in a continual forgetfulness. Rather history and memory hold values in which we can learn from them. Yet we need to abandon some parts of the anterior: historical virtue and tradition in order to create something new, including an individual that develops one’s own thought and keeps renewing the self. [2][3] Nietzsche called this “active forgetting”. It is to engage with a selective sense of forgetting (and remembering), through rationally making decisions of the balance between what one should digest and what one should willfully abandon – of the past memories, for the sake of present life or future [3][4] What should we forget and remember in the digital age, so that we can act and live away from the paralysing thoughts and worries associated with the unforgetting digital memory, at the same time develop thoughts of individuals? What does it mean to adapt in the digital age, by practicing the active forgetting? [1] Importance of forgetfulness for Nietzsche. Tim Short, 2012 https://itunes.apple.com/us/book/nietzsches-memory/id923848733?mt=11 [2] On the uses and disadvantages of history of life, in Untimely meditations. Friedrich Nietzsche (trans. R. J. Hollingdale), 1997. Cambridge University Press. [3] Nietzsche’s cow: on memory and forgetting, in Platonic occasions: dialogues on literature, art and culture. pp. 142-158. R Begam and J Soderholm, 2015. Stockholm University Press. [4] From haunting to trauma: Nietzsche’s active forgetting and Blanchot’s writing of the disaster. Peter Ramadanovic, 2001. http://pmc.iath.virginia.edu/text-only/issue.101/11.2ramadanovic.txt
The web phenomena of going viral make digital memory nearly immortal, and society becomes unforgetting of the memory. [1] The viral images headlined "embarrassing pictures," the careless and misled tweets that disseminate and become un-retractable, and the online data associated with malicious acts, such as revenge porn, are only a few examples of how the viral memory could negatively affect one's life. Should we speculate about possible systems that counteract the viral, immortal memory? forgetting.online is a web based work that responds to this question while exploring the poetics of transiency, mythological narrative, collective digital forgetting, and learning to forget. This participatory project invites the public to share memories they wish to forget. The memory, submitted in the form of a written text, will be posted and anonymously shared on the website (www.forgetting.online) for the online world to view. Each memory post will go through a digital fragmentation process whereby the more the post is viewed, shared or accessed the more the appearance of it will change – the post will decay and become blurry or pixelated until it is no longer perceptible, thus becoming ‘forgotten’. This system is intended to be anti-viral. Through the viewers’ collective acts of viewing and sharing, the post could be disintegrated and lost before it disseminates widely and proliferates the internet (goes viral). This kind of system exploits the contemporary desire to see and share online, in order to paradoxically make the digital memory more and more invisible, and forget it both digitally and societally. forgetting.online also encourages forgetting that was once claimed to be "dead" in digital society, by Viktor Mayer-Schönberger. [1] The site provides a database where the participants and viewers can access various ideas of forgetting and read Internet tips for “how to forget.” The river shaped interface of the website is inspired by Lethe, the river of forgetfulness from the Greek mythology. In the myth, the water of Lethe erases memories and allows people to move onto the next stage of life.
[1] Delete: The Virtue of Forgetting in the Digital Age. Mayer-Schönberger, Viktor, 2011. Princeton University Press.
Shinji Toya (born in Japan, 1984) has been working on online art projects with arebyte that critically explore the language and operation of forgetting in digital media. His digital art practice deals with the ideas of ephemerality and transiency that are informed by both the cultures of the East and West. He presented his projects at Internet Yami-Ichi at Tate Modern Turbine Hall, Interfaces Monthly in association with Barbican, Royal Academy of Arts, the Yinka Shonibare’s Guest Projects, RSA and Beijing New Media Arts Triennial. Toya graduated MA Fine Art at Central Saint Martins College of Art in 2013 and received the Contagious Nova Award for the final project. Shini Toya: website info@shinjitoya.com
Storage-Un.it - Archive: -> 3 Years and 6 Months of Digital Decay -> the-device-is-the-message -> The Artist Is Typing -> forgetting.online (Part1) -> The Shape Of Death To Come -> HEAVENStrailer_road2utopia -> Am I Even Here -> Blue Vessel -> forgetting.online (Part2) “No, no. He’s been dead for decades. This was just inspired by his aesthetic. This is actually a machine. Or inside it is. It’s a storage unit.” - The Circle by Dave Eggers -