Shinji Toya

About

 

 

Shinji Toya (1984) is a digital artist from Japan, based in London UK for over 10 years. His practice is process-driven and uses computer programming, the Internet, participation, video and image manipulation. It deals with the poetic aspects emerging in the tension between what the systems (of knowledge and computation) aim to capture and what they fail to capture. This kind of epistemological gap often appears as presentations of paradox, nuanced incoherence or complexity. Echoing his transnational background, these approaches of the work suggest the limits of framing (e.g. of understanding, computability or language).

By using various digital tools and the practice approaches, Toya’s work often confronts those who experience it with the unresolved states of things that draw attention to possible ways of questioning or unlearning existing modes of digital culture and politics of identifying things.

The recent projects by the artist deal with the issues of the data economy, digital memory, limits of Artificial Intelligence (computer vision), and the relationship between biological and computational systems.

Previously he presented his projects at Ars Electronica, Royal Academy of Arts (UK), Tate Britain, arebyte Gallery, Fotomuseum Winterthur, Watermans, Furtherfield and Space.

Currently, Toya teaches at Central Saint Martins College of Art as a Visiting Practitioner.


 

C.V.

 

Selected Exhibitions / Events / Commissions

-> 2021

Careful Networks, online exhibition/co-commission by Phoenix and The Photographers’ Gallery

NOVA X, at Lathaby Gallery

Computer Vision Art Gallery at CVPR 2021, curated by Luba Elliott and Xavier Snelgrove

-> 2020

AI Art Gallery at NeurIPS Workshop on Machine Learning for Creativity and Design 2020, curated by Luba Elliott

SITUATIONS/Strike at Fotomuseum Winterthur, Switzerland

AOS (arebyte on screen) – Storage-Un.it, online/arebyte Gallery

The Wrong – New Digital Art Biennale (in association with goingaway.tv x arebyte / Compiler ), online and at ephemeral locations in London.

Plat(t)form, at Fotomuseum Winterthur, Switzerland.

-> 2019

AOS – arebyte on screen, online/arebyte Gallery

Paint Your Face Away – Workshop at Late at Tate, Tate Britain

Focus – Next: Showcase: SPACE Art + Tech, at SPACE, London

-> 2018

Art + Technology residency, Focus-Next: Future Human, at SPACE, London

Please, Express Yourself curated by Filippo Lorenzin, at GreebCube Gallery (online) and V&A London

Cognitive Sensations, curated by Gabriella Warren-Smith, at TheCube, London

Transient Hole X in association with Cybersalon/Middlesex University, at Furtherfield, London

Hotel Generation – Ars Electronica curated by Rebecca Edwards, arebyte
at Ars Electronica 2018, Linz

Poush Manifesto – UGC Paris commission

Machines Will Watch Us Die curated by Patrizia Costantin
at Holden Gallery, Manchester

Infinite Multiple, at arebyte Gallery, London

Online showcase at Collectionair curated by Martin Guinard-Terrin

-> 2017

The Wrong – New Digital Art Biennale – Websiteseeing: The Ways of Going 404 , arebyte Gallery

Art Licks Weekend 2017: Making + Re-Imagining on the Thames Beach by AltMFA

forgetting.online (Part2) at Arebyte Gallery

Unknown Futures: AltMFA residency and show at Yinka Shonibare’s Guest Projects

-> 2016

Online Residency at Arebyte: forgetting.online

Multi-Function at galleryELL

State of Flux: AltMFA Live Art Thames Tour, Artlicks Weekend 2016

Interfaces Monthly at Fish Island Labs (in association with Barbican and the Trampery)

Burlington Gardens Festival at Royal Academy of Arts, London

Storage Unit: 3 Years 6 Months of Digital Decay at arebyte Gallery

-> 2015

Dystrophies: The Wrong – New Digital Art Biennale at the UK pavilion by arebyte Gallery, London

Art Licks Weekend, Palindromic Sequence: A Live Map of the Thames Shore by Alt MFA

-> 2013 ->

Self-discipline and Speculation – Beijing New Media Arts Triennial 2013 at Beijing Film Academy, Beijing China. (description) | 28 October – 11 November

Lowe and Partner’s Nova Award Series (exhibition) at RSA – Royal Society for the Encouragement of Art, London. | 5 September 2013

Future Map 2012 at Lethaby Gallery – Central Saint Martins College of Art and Design, London. (press release) | January – February 2013

Interim Exhibition at V22, London. | May 2012

Art Auction 2012 in association with Sotheby’s at Lethaby Gallery – Central Saint Martins College of Art and Design, London. | March 2012

Artist in Residence at Trinity Buoy Wharf London, UK | June 2009

 

Education

2011 – 2013
MA Fine Art, at Central Saint Martin’s College of Art and Design, London.

2008 – 2011
BA Fine Art with the First Class Honours, at Central Saint Martin’s College of Art and Design, London.


Educational Work / Certificate / Talks

2019 – Present | Visiting Practitioner, MA Art and Science at Central Saint Martins College of Art

2021 | Obfuscation – Workshop for BSc Digital Arts Computing, Goldsmiths University of London.

December 2019 | Psychology, technology, and the theoretical methods of mobilisation. Workshop run with Sarah Selby, arebyte Gallery.
March 2019 | Virtually Malleable: Breaking Photorealism with Blender. Workshop collaboratively run with Marc Blazel, arebyte Gallery.
February 2019 | Creative Programming with Artificial Life: Workshop, Watermans Art Centre
November 2018 | Categorisation and Artificial Intelligence: System, Limit, and BeyondWorkshop collaboratively run with Murad Khan and Simon Crowe, SPACE
May 2018 | Machines Will Watch Us Die Symposium, Manchester School of Art
May 2017 | Un-conference – Digital Maker Collective, Tate Exchange
September 2015 – May 2016 | PGCert modules for Academic Practice in Art, Design and Communication, University of the Arts London


Publications / Press

2019 | Image Exhaust, The Photographer’s Gallery
2018 |
SPACE Art + Technology artists in residence – interview.
2018 | Paris College of Art, on Please, Express Yourself – Just Do It
2018 | Machines Will Watch Us Die, Review by Abi Mitchell
2018 | Machines Will Watch Us Die – Catalogue (edited by Patrizia Costantin)
2017 | Hotel Generation 2017 (edited by Rebecca Edwards, arebyte Gallery) – text contribution: The Critical Space Against The Information Overload And Acceleration
2016 | The London Reader – Autumn 2016 #Cyberpunk Now
The issue can be purchased at Amazon UK or Amazon US, featuring 3 Years and 6 Months of Digital Decay.
2016 | Immaterial Aesthetics – The Internet Yami-Ichi (Black Market) by Edward Paginton for Modern Weekly China.
2014 | Postmatter: Shaping the Digital
2013 | Contagious issue 36
2013 | Less Common edited by Osei Bonsu


Award

September 2013
Contagious Nova Award, in Lowe and Partner’s Nova Award Series